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HOLLOWED
by Amie Song

17min | China/USA | 2026

When a woman visits her fiancé’s rural hometown for the first time, she gets lost at night and finds herself in
​an abandoned village, where she encounters a mysterious bride and unearths long-buried family secrets.


​Year of production 2026
Length 17'
Country China/USA
Shooting Format 4K
Aspect Ratio 4:3
Dialogue Mandarin​

Director Amie Song
​Producer Haoyue Xue
Executive Producer Anocha Suwichakornpong
Co-Producer Kayo (Kaiyue) Zhang
Co-Producers & Location Managers Xiaoqiang Zhao, Wenqiang Zhao
Associate Producers Daniel Sun, Jia Song, Xiaotian Ma
Writer Amie Song​
Director of Photography Parinee Buthrasri
Production Management & Costume Crystal Yunxia Wang    
First Assistant Director Jing Zhao
Script Supervisor Si Liu
Production Designer Yican Zheng
Editor Aacharee Ohm Ungsriwong    
Art Director Ian Yang
Hair & Make-up Weiyi Kong
Production Sound Yue Liang
Colorist Chaitawat Thrisansri    
Sound Designer Staci Xiang
Sound Mixer Nina Leitenberg    
Poster Designer Chole Li
Cast Meixian Li, Yumi Chen, Du Bai, Libo Hou, Xiaoqiang Zhao

Festival selections
Pingyao International Film Festival 2026​, China - World Premiere
​
Director's Statement
In January 2022, the “chained woman” incident erupted
on Chinese social media. A video of a mentally disturbed woman chained to the wall of a rural house went viral.
The horrifying case of human trafficking was quickly silenced, and she became yet another woman who faded into the forgotten corners of social media.
This tragic event planted the seed for Hollowed, a story about
a young woman who visits her fiancé’s rural hometown for
the first time, uncovering the mystery and truth about her mother-in-law. The narrative took further shape when I returned to my grandmother's hometown for her burial --
a rural village of 6,000 people. The village struck me with its emptiness; the streets were eerily silent, with only the elderly remaining. Younger generations have migrated to the town center or sought work in cities, a consequence of China's expansive urbanization efforts.
As my mother recounted the once-vibrant village life in the courtyard of her childhood home — now abandoned and in disrepair — the idea of intertwining memories with the present began to take form. In a story that excavates the secrets of
the past, myth and storytelling play pivotal roles. It may feel
​like a dream — but sometimes, it’s only in dreams that we are free to see the truth.
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