OUR FILMS
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Le Abiuratrici (The Abjurants)
by Antonio De Palo 2087. Vera and Roberta are two “Abjurants”, meaning women who refused to adhere to the Eugenics Programme imposed by the Government. Italy, 2019, 15' |
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Golden Minutes (Auksinės Minutės)
by Saulius Baradinskas Driven to the edge by a huge debt and his impending divorce, a poetic accountant decides to kill himself but is rescued by a heart attack. Lithuania 2019, 10' |
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Interstate 8
by Anne Thieme In the southern United States, two young women meet by chance in the back of a police car and, without saying a word, experience the injustice hovering above them. Germany/USA, 2019, 15' |
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Sarino
by Valerio Filardo Nazi concentration camp, 1944. Two Italian prisoners locked in a very small cell are taking a pledge. How far are they willing to go to keep the promise? Italy, 2019, 14' |
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La guerre en elle (The War Inside Her)
by Yara Atz Can she forget? How can she go on living when the present keeps reminding her of the traumas of the past? Switzerland, 2019, 15' |
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Mary, Mary, So Contrary
by Nelson Yeo Repurposing and manipulating footage from two classic films and the filmmaker’s own personal footage, "Mary, Mary So Contrary" weaves together a phantasmagoric narrative about a Chinese woman named Ma Li who dreams that she is a Caucasian woman named Mary. Singapore, 2019, 15' |
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Maradona's Legs (Ijrain Maradona)
by Firas Khoury During the 1990 World Cup, two young Palestinian boys are looking for “Maradona’s legs”; the last missing sticker that they need in order to complete their world cup album and win a free Atari. Germany/Palestine, 2019, 23’ |
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Bottleneck
by Måns Berthas Three women are gathered for an act of vengeance. They spin a bottle to determine who should perform the deed. Their plan goes wrong and an unexpected threat appears. Sweden, 2019, 8' |
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Adam
by Shoki Lin Tired of his turbulent family life, Adam seeks out an alternative arrangement in hopes of finding his place. Singapore, 2019, 19' |
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Kolektyviniai sodai (Community Gardens)
by Vytautas Katkus Patriarchal masculinity seems to catch its last breath in the sun. A story about a cold relationship between a father and his son. Their bond, plagued by indifference, disintegrates completely. Lithuania, 2019, 15' |
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About Chameleon
by Guglielmo Loliva Upon the death of their father Greta and Lucio, who didn't speak to one another in many years, are called back to their childhood home to face the requests of the testament in order to get the inheritance. Italy, 2019, 20' |
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Hãy tỉnh thức và sẵn sàng (Stay Awake, be Ready)
by Pham Thien An On a street corner a mysterious conversation among three young men at a street stalls. Vietnam/South Korea/USA, 2019, 14’ |
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Fakh (The Trap)
by Nada Riyadh In the peculiar set up of a deserted and run-down Egyptian seaside resort in wintertime, a young unmarried couple arrives to make love. Egypt/Germany, 2019, 20’ |
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L'uomo che non voleva uscire di casa
by Savino Genovese In the mountains, a man and a woman play a treasure hunt set up in an old abandoned village. Italy, 2019, 14' |
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Unfolded
by Cristina Picchi After a sleepless night, a woman leaves her house determined to put an end to her tormented relationship. Italy/Lithuania, 2019, 15' |
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Mother of
by Gan de Lange A mother discovers that something happened to her daughter, instantly her whole being becomes mother of. Israel, 2018, 10' |
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Isle of Capri
by Måns Berthas Lina’s grandmother is in a severe state of Alzheimer’s disease. In order to make her remember again, Lina abducts her from the hospital and takes her to her abandoned childhood home. Sweden, 2018, 5' |
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Gagarin, mi mancherai
by Domenico De Orsi An unexpected guest falls from the sky breaking into the lives of two lonely farmers. Italy, 2018, 20' |
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Un cortometraje sobre la educacion
by Sebastián Arancibia Jorge is a fifty-year-old math teacher who is hired at a school with serious bullying issues. His feeling of powerlessness will lead to his own morals being corrupted. Chile, 2018, 19' |
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Câm Lặng (The Mute)
by Pham Thien An A girl tries to find the answer about love before her big day, in a rainy night. Vietnam/USA, 2018, 15' |
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A Swedish Classic
by Måns Berthas A woman in a tattered wedding gown wakes in the forest to the sound of a deafening car horn. She finds her husband in the crashed car nearby. He’s in bad shape but alive. In the wrecked interior, they start to talk about their relationship, which soon seems to be as demolished as their Saab. Sweden, 2017, 8' |
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Abrazame como antes (Hold Like Me Before) by Jurgen Ureña
Verónica is a transgender who works as a prostitute in a small neighborhood of Costa Rican capital. When a young thief known as Tato has an accident and breaks an ankle, she takes him to her house trying to give him a better life, but also facing with the painful side of motherhood. Finally Verónica realizes that giving a hand to Tato was actually giving it to herself. Costa Rica, 2017, 63' |
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Framed by Marco Jemolo
Framed is a noir animated short-film, which investigates the role of the individual in society. Italy, 2017, 7' |
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Birthday by Alberto Viavattene
Night. An abusive nurse wanders through the halls of a nursing home. She integrates her salary by secretly selling prescription drugs to junkies and stealing from the most vulnerable patients. Italy, 2017, 15' |
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Bitchboy by Måns Berthas
Bitchboy is the story of Lukas, a young dedicated metal head, who is visiting his recently departed grandfather at the hospital. Despite the bloodline, he doesn’t want the old man to be buried in the family grave. Dark secrets come to light, and when opportunity comes, he seeks revenge. Sweden, 15', 2016 |
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Champion by Måns Berthas
Harsh midwinter. A frozen marriage in a remote cabin. An man from the past returns to seek revenge, and long lost feelings come alive. A wordless battle begins and the eternal triangle finally comes to an end. Sweden, 19', 2015 |
