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THE NATURE OF DOGS
by Pom Bunsermvicha
​

27min | Thailand/USA/Singapore/Hong Kong | 2024

A family of four and their dog arrive at a seaside hotel in Kui Buri, Thailand. What appears to be an ordinary vacation turns into a series of interactions that betray an unspoken tension in their relationships. The next day, complexities unfold in a cave housing buddha statues.

​Year of production 2024
Length 27'
Country Thailand/USA/Singapore/Hong Kong
Shooting Format ALEXA 35
Aspect Ratio 1:1.66
Dialogue Thai
​
Director Pom Bunsermvicha​
Productions Electric Eel Films, Pop Pictures
Co-productions Hodori Pictures, Purple Tree, Moonduckling Films
Producers Pom Bunsermvicha, Tanwarat Sombatwattana
Assistant Producer Prima Sirivasuntra 
Co-producers Ravisrarat Pibulpanuvat, Nicha Ratana-Apiromyakij, Daniel Pravit Fethke, Xuan Trang Nguyen Thi
Writers Pom Bunsermvicha, Nicha Ratana-Apiromyakij
Executive Producers Josh Kim, Charlyn Ng, Jwanwat Ahriyavraromp, Jean-Alexandre Luciani, Annette Fausboll
Production Design Juthamas Aintharasuwan
Production Manager Worarat Sawatdipisan
Cinematographer Kritsada Nakagate​
Editors Dina Karaman, Nisarat Meechok
Sound Design & Mixing Akritchalerm Kalayanamitr, Vincent Villa                     
Costume Design Apirath Phromli
Post Production White Light Studio, One Cool Sound Studio
Cast Chayanit Chansangavej, Sanya Kunakorn, Duangjai Hiransri, Wasin Panumaporn
​
Festival selections
Locarno Film Festival 2024 - World Premiere
Montreal Festival du Nouveau Cinéma 2024, Canada
Stockholm International Film Festival 2024, Sweden
ZINEBI - Festival Internacional de Cine Documental y Cortometraje de Bilbao 2024, Spain
Singapore International Film Festival 2024 - Best Screenplay Award
Jogja-NETPAC Asian Film Festival 2024, Indonesia
Laceno d'Oro International Film Festival 2024, Italy
​Hainan Island International Film Festival 2024, China
​​Dhaka International Film Festival 2025, Bangladesh
​​Akbank Short Film Festival 2025, Turkey
​
Nepal International Film Festival 2025
Queer East Festival 2025, UK
​IndieLisboa International Film Festival 2025, Portugal
Tabor New Frame Film Festival 2025, Croatia
Castiglioni Film Festival 2025, Italy
​
International Documentary and Short Film Festival of Kerala 2025, India
​​
Festival Silhouette 2025, France
​​Ningbo Short Film Festival 2025, China
​​Curt'Arruda Film Festival 2025, Portugal
​
Message to Man International Film Festival 2025, Russia
Women Make Waves int'l Film Festival 2025, Taiwan
​​SeaShorts Film Festival 2025, ​Malaysia
​
Director's Statement
Above religion, the foremost social contract in Thai society
is that of the family. People are raised as codependent members of a traditional unit. One of the edicts of the contract is the infallibility of parents, wherein unquestioning loyalty is expected of the child. Which is why, when this belief is shaken, the family is left to wander in a crisis of
faith while continuing their participation in the unit.
We focus on an upper-middle class Bangkok family taking
a seaside vacation. The father’s absence is not discussed, but is expressed in the family’s dynamics – in the mother’s self-effacement, the daughter’s headstrong personality,
the son’s compromising optimism, and the father’s inability to connect with his loved ones. Upon closer inspection, subtext and the language of bodies navigating space
betray an intricate web of wounds and loyalties.
When I began writing this film, I was at a point in my life where I could not speak to my father. Over the course of i
​ts making, my father became a subject of close study, and the film acted as a way for me to have a dialogue with him. Inside the liminal space of the cave, the darkness sheds away layers of hierarchy and conditioning. Father and daughter present only as themselves, more tender and human than before. Something akin to a start at reconciliation begins.
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