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78 DAYS
​​​​by Emilija Gasic

80min | Serbia/Republika Srpska/Bosnia and Herzegovina | 2024

Two teenage sisters record their daily lives on a home camera, overwriting older recordings that periodically appear on tape. Their father is soon mobilized.
Before he leaves, he asks them to film something nice for him. Days go by, they film nature, night sky during bombing raids and tease Tijana, their youngest sister. Things change when a mysterious boy and his shy baby sister arrive from Belgrade and move in the first neighbor’s house.
​New friendships, first kisses and first disappointments take over the fear of bombs.

Original Title 78 dana
Year of production 2024
Length 80'
Country Serbia/Republika Srpska/Bosnia and Herzegovina
Shooting Format Hi8
Aspect Ratio  4:3
Dialogue ​Serbian
​
Director Emilija Gasic
Producers Andrijana Sofranis Sucur, Milos Ivanovic
Production Company Set Sail Films
Co-production Neoart (BiH/RS)
Screenwriter Emilija Gasic
Cinematographer Ines Gowland
Editor Jovana Filipovic
Production Designer Maja Duricic
Costume Designer Senka Radivojevic
Sound Designer Dora Filipovic
​Cast Viktorija Vasiljevic, Milica Gicic, Tamara Gajovic, Pavle Cemerikic, Masa Cirovic, Jelena Djokic, Goran Bogdan

Festival selections
International Film Festival Rotterdam 2024, Netherlands - World Premiere
Cyprus Film Days International Festival 2024 - Best Film Award
OFF CAMERA International Festival of Independent Cinema 2024, Poland
IndieLisboa International Film Festival 2024, Portugal
International Film Festival Innsbruck 2024, Austria -Best Film Award
Subversive Festival​ 2024, Croatia
​Festival Internacional de Cine Al Este 2024, Peru
Kino Otok International Film Festival 2024, Slovenia
Cinema Jove - Valencia International Film Festival​ 2024, Spain - Best Editing Award, Young Jury Award for Best Film
Tofifest Film Festival 2024, Poland - Best Film Award (On Air Competition)
Zerkalo International Film Festival 2024, Russia - Best Director Award
Yakutsk International Film Festival 2024, Russia  -Special Jury Prize, Best Actress Award for Viktorija Vasiljevic
Cinedays Festival of European Film 2024, Republic of North Macedonia - Special Mention
European Film Festival Palic 2024, Serbia - Gorki List Audience Award, Golden Tower Award for the Best Film
Roffa Mon Amour Film Festival 2024, Netherlands -New Amour Award
Seoul International Women’s Film Festival 2024, South Korea - Special Jury Award
CineFest 2024, Hungary - East of Europe Award
Vancouver International Film Festival 2024, Canada - Vanguard Award
​​Reykjavik International Film Festival 2024, Iceland
​​​
CINEAST - Central and Eastern European Film Festival 2024, Luxembourg 
​Film Fest Gent 2024, Belgium - Explore Award
Festival Internacional de Cine de Valdivia 2024, Chile -Best Youth Feature Film Award
​​TAIFAS  - The Balkan Film and Culture Festival 2024, Romania
São Paulo International Film Festival 2024, Brazil
​FilmFestival Cottbus 2024, Germany - Best Debut Feature Film Award
​​Caminhos Film Festival 2024, Portugal
​Cinemamed - Festival cinéma méditerranéen de Bruxelles 2024, Belgium
Athens Avant-Garde Film Festival 2024, Greece
​
Hainan Island International Film Festival 2024, China -Grand Jury Prize
​Dhaka International Film Festival 2025, Bangladesh
Trieste Film Festival 2025, Italy
Green Mountain Film Festival 2025, USA
​Kosmorama - Trondheim International Film Festival 2025, Norway - New Directors Award
FEMCINE, Festival cine de Mujeres de Santiago de Chile 2025 - Best Feature Film Award
Este Film Festival 2025, Romania
​​Costa Rica Festival Internacional de Cine 2025
​Bašta Fest 2025, Serbia
Pula Film Festival 2025, Croatia - Best Regional Film Award
Cine a la Vista! Festival Internacional de Cine para adolescentes 2025, Argentina
Helsinki International Film Festival 2025, Finland
Silk Road International Film Festival 2025, China
Asuficc - Festival Internacional de Cine Contemporáneo de Asunción 2025, Paraguay

Website
Set Sail Films
​​
Director's Statement
A few years ago, I digitized all of my family’s home video tapes from the 1990s. While going through the footage in March of 2020, I stumbled upon a tape that I completely erased from my memory. It was a video of a normal day,
my family spending time together but with some unusual serious undertone. The evocative footage immediately transported me back in time when my generation’s childhood was in quarantine. I was both excited and upset that I made an anonymous questionnaire about the bombing with a desire to see how others remembered it. Over two hundred people shared their memories: absence
of school, sound of airplanes, the echo of the creepy air raid siren, electricity restrictions, fear for the mobilized fathers, shelters, satirical songs, first loves, losses.
Then I wondered, what if all this was on one Hi8 tape?
A tape that testifies to one time and space through the coming of age of three sisters who record everything and overwrite constantly.
“78 Days” was shot entirely as found footage, in 4:3 aspect ratio, from the protagonists’ perspective which illustrates the atmosphere and spontaneity of the home video aesthetics and authenticity of the time period.
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