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YOUR CART


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EL SEMBRADOR
DE ESTRELLAS
​
by Lois Patiño

25min | Spain | 2022

Distant lights draw the city. Shining ships arrive with sleeping people and the night turns liquid. 
The stars’ sower wakes them up and they travel through the city, talking about this and that, while saying goodbye to everything.

English Title The Sower of Stars
Year of production 2022
Length 25min
Country Spain
Shooting Format HD
Aspect Ratio ​16:9
Dialogue Japanese
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Director Lois Patiño
Writer ​Lois Patiño
Cinematographer Lois Patiño
Editor Lois Patiño
Sound Designer Xabier Erkizia
Voices Yumiko Teramoto, Tetsuro Mareda
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Festival selections
Berlinale, Berlin International Film Festival 2022 Germany - World Premiere, Nomination For The European Film Academy Awards 2022
FICUNAM - Festival Internacional de Cine UNAM 2022, Mexico
​Vilnius International Film Festival “Kino Pavasaris" 2022, Lithuania
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FICCI: Festival Internacional De Cine De Cartagena De Indias 2022, Colombia
Festival de Málaga 2022, Spain
IndieLisboa - International Film Festival 2022, Portugal
Las Palmas International Film Festival 2022, Spain
Jeonju International Film Festival 2022, South Korea
D'A Film Festival 2022, Spain
Play-Doc - Festival Internacional de Documentales 2022, Spain
Documenta Madrid 2022, Spain
Mieres International Short Film Festival 2022, Spain - Best Director Award, Best Editing Award
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International Film Festival Kino Otok - Isola Cinema, Slovenia
Leiden Shorts 2022, Netherlands
Cinema Jove - International Film Festival Valencia 2022, Spain
Manlleu Film Festival 2022, Spain
Lago Film Fest 2022, Italy
European Film Festival Palić 2022, Serbia
Hong Kong International Film Festival 2022
​Seoul International Alt Cinema & Media Festival 2022, South Korea
​​​​New York Film Festival 2022, USA 
Shorts México - Mexico International Short Film Festival 2022
​Tirana Film Festival 2022, Albania
Festival Internacional de Cinema de Bueu 2022, Spain - Best Galician Short Film Award
Camden International Film Festival 2022, USA
Festival du nouveau cinéma de Montreal 2022, Canada - Dada Award (Best International Short Film), Les Nouveaux Alchimistes Section
Reykjavik International Film Festival 2022, Iceland
Filmfest Sundsvall 2022, Sweden
Abycine - Festival de Cine de Albacete 2022, Spain
​Alcances- Festival de Cine Documental de Cádiz 2022, Spain
Curtocircuíto - International Film Festival 2022, Spain
Underdox - Festival für Dokument und Experiment 2022, Germany
Lima Alterna International Film Festival 2022, Peru
Mediterranean Film Festival 2022, Bosnia and Herzegovina
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Kaohsiung Film Festival 2022, Taiwan
​Linea d’Ombra Festival 2022, Italy - Jury Special Mention
Festival Internacional de Curtas de Belo Horizonte 2022, Brazil
Imagine Science Film Festival 2022, USA
Viennale - Vienna International Film Festival 2022, Austria
Festival Internacional de Cine de Mar del Plata 2022, Argentina
Cinema South Festival 2022, Israel 
Caminhos Film Festival 2022, Portugal
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Antofacine - The Antofagasta International Film Festival 2022, Chile​
Baku International Short Film Festival 2022, Azerbaijan - Best Documentary Film Award
Festival de Cine Frontera Sur 2022, Chile
Kyiv International Short Film Festival 2022, Ukraine -  Special Mention
Mente Locale - Visioni sul territorio 2022, Italy - Sound and Territory Award
Passaggi d’Autore: intrecci Mediterranei 2022, Italy
Laceno d'oro International Film Festival 2022, Italy - Laceno d’oro Award “Gli Occhi sulla città"
Zubroffka Short Film Festival 2022, Poland - ​Special Mention
Transcinema Festival Internacional de Cine 2022, Peru​​
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Bogoshorts - Bogotá Short Film Festival 2022, Colombia
Ningbo Short Film Festival 2022, China ​
​Festival du Court Métrage de Clermont-Ferrand 2023, France
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Sanfici - Santander Festival Internacional de Cine Independiente 2023, Colombia - Best International Short Film Award
Ribalta Experimental Film Festival 2023, Italy
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Lois Patiño

Director's Statement
Tokyo at night is dazzling, a fantasy of hypnotizing lights. Observed with distance and stillness, if you let yourself be carried away by them, you can find a meditative atmosphere there. The first thing I tried to capture was this peaceful feeling, hidden within the vertigo of a megalopolis like Tokyo.

I worked on the image with two plastic references that emerged very quickly: Zen landscape painting -from where I could underline the idea of emptiness and silence- and the cyberpunk aesthetics of films like Blade Runner -to build futuristic neon architectures by superimposing planes-.

From this atmosphere I began to think the story. I am always interested in the limbo space between life and death, imaginary and real, where the borders between both blur to make the spectral and dreamlike emerge. I wanted the story to pass through this ideas, giving shape to it from a dialogue of disembodied voices. Voices that cross the city-limbo while being both outside and inside the image, as a kind of depersonalization.

I constructed the dialogues from a certain poetic crypticism inspired by the koan -mystical teachings of Zen Buddhism-. And they gradually settled down, from readings, in a script more of an editor than a writer, like a book of aphorisms that keeps little jewels. Very condensed thoughts related mainly to contemplation, because this was the biggest challenge for me here: to find a balance between narration and contemplation, between text and image, ensuring that they enhance each other, despite each one demands a different attention from us: one more sensitive, the other more rational.
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